All the oil paintings of ALTDORFER, Albrecht

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ID	Image	Painting(From A to Z)	Details
4715		Christ on the Cross (detail) gvcvc	c. 1520 Wood Museum of Fine Arts, Budapest
4714		Christ on the Cross (detail) vfgf	c. 1520 Wood Museum of Fine Arts, Budapest
4712		Christ on the Cross between Mary and St John	Panel Staatliche Museen, Kassel
4713		Christ on the Cross f	c. 1520 Wood, 75 x 57,5 cm Museum of Fine Arts, Budapest
42954		Christ Taking Leave of his mother	mk170 dated 1520 Oil on lime 139.2x108.7cm
4710		Communion of the Apostles	1516-18 Oil on wood, 42 x 32,5 cm Staatliche Museen, Berlin
4699		Danubian Landscape g	1520-25 Parchment on wood, 30 x 22 cm Alte Pinakothek, Munich
4725		Landscape kk	Etching Graphische Sammlung Albertina, Vienna
42953		Landscape with a Footbridge	mk170 1518-1520 Oil on parchment 42.1x35.5cm
4698		Landscape with Path	c. 1518 Parchment and wood, 42 x 35,5 cm National Gallery, London
4697		Landscape with Satyr Family	1507 Panel, 23 x 20 cm Staatliche Museen, Berlin
4705		Loth and his Daughters jj	1537 Oil on limewood, 107,5 x 189 cm Kunsthistorisches Museum, Vienna
63550		Lovers	1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest This fragment of a fresco was executed for the decoration of Kaiserbad in Regensburg. (Other fragments are in the St?dtishes Museum, Regensburg). The importance is given to these fragments by the fact that no wall other wall paintings survived from the masters of the Danube school (except a damaged fresco by Wolf Huber in Neuburg am Inn.Artist:ALTDORFER, Albrecht Title: Lovers Painted in 1501-1550 , German - - painting : other
4704		Lovers ddff	c. 1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest
4717		Mary with the Child kkk	1520-25 Wood, 49,4 x 35,5 cm Museum of Fine Arts, Budapest
4709		Nativity hh	c. 1513 Wood, 36 x 25,5 cm Staatliche Museen, Berlin
4707		Rest on the Flight into Egypt	1510 Oil on panel, 57 x 38 cm Staatliche Museen, Berlin
4708		Rest on the Flight into Egypt (detail) kk	1510 Oil on panel Staatliche Museen, Berlin
4706		Saint George in the Forest ggg	1510 Parchment on lime panel Alte Pinakothek, Munich
4711		Schone Maria	Wood Stiftskirche St. Johann, Regensburg
4723		St Florian Taking Leave of the Monastery	c. 1530 Oil on wood, 81,4 x 67 cm Galleria degli Uffizi, Florence
4700		Susanna in the Bath and the Stoning of the Elders	1526 Wood, 74,8 x 61,2 cm Alte Pinakothek, Munich
4719		The Arrest of Christ	1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz
4703		The Battle of Alexander (detail) bbb	1529 Lime panel Alte Pinakothek, Munich
4702		The Battle of Alexander (detail) vcvv	1529 Lime panel Alte Pinakothek, Munich
4722		The Entombment h	c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna
4721		The Flagellation of Christ kjlkljk	1518 Ol on wood Augustiner Chorherrenstift, St Florian bei Linz
4724		The Martyrdom of St Florian	c. 1530 Oil on wood, 76 x 67 cm Galleria degli Uffizi, Florence
4720		The Resurrection of Christ jjkk	c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna

ALTDORFER, Albrecht
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.